!!Tatjana Jukić - Selected Publications
\\
__BOOKS:__\\
\\
Revolucija i melankolija. Granice pamćenja hrvatske književnosti (Revolution and Melancholia. Limits of Literary Memory). Zagreb: Naklada Ljevak, 2011.\\
\\
Zazor, nadzor, sviđanje. Dodiri književnog i vizualnog u britanskom 19. stoljeću (Liking, Dislike, Supervision. Literature and the Visual in Victorian Britain). Zagreb: Zavod za znanost o književnosti Filozofskog fakulteta  Sveučilišta u Zagrebu, 2002.\\
\\
__SELECTED ARTICLES/CHAPTERS:__\\
\\
“Tragic Realism.” Foreign Literature Studies, 46/1, 2024, 22-36.\\
\\
“The Victorian Chthonic Sublime.” The Cambridge Companion to the Romantic Sublime (ed. Cian Duffy). Cambridge: Cambridge University Press, 2023, 223-235.\\
\\
“Austen and Osterhammel: The Transformation of the World and the Novel in the Nineteenth Century.” Zagreber Germanistische Beiträge, Beiheft 10, 2022, 69-84.\\
\\
“The melancholy condition of realism (With notes on Lars von Trier’s Melancholia).” Orbis Litterarum, 76 (4), 2021, 191-203.\\
\\
“Realism and translation: Charlotte Brontë’s Jane Eyre for an Austro-Hungarian minority and beyond.” Landscapes of Realism. Rethinking literary realism in comparative perspectives. Volume I: Mapping realism (eds. Dirk Göttsche, Rosa Mucignat, Robert Weninger). Amsterdam, Philadelphia: John Benjamins, 2021, 231-244.\\
\\
“Zagreb.” The Palgrave Encyclopedia of Urban Literary Studies (ed. Jeremy Tambling), 2020, https://link.springer.com/referenceworkentry/10.1007/978-3-319-62592-8_130-1\\
\\
“Caught between American Melancholy and European Masochism: Notes on Madame de Mauves.” The Henry James Review, 40/3 (2019), 270-275.\\
\\
“A Narrative Theory for the October Revolution (From Maugham to Benjamin and Back).” The Russian Revolution as Ideal and Practice. Failures, Legacies, and the Future of the Revolution (eds. Thomas Telios, Dieter Thomä, Ulrich Schmid). Cham: Palgrave Macmillan, 2019, 143-163.\\
\\
“Cavell’s Shakespeare, or the Insufficiency of Tragedy for Modernity”, Bollettino Filosofico, 32 (2017), 67-87.\\
\\
“Fictions of Crime in a State of Exception.” The Cultural Life of Capitalism in Yugoslavia. (Post)Socialism and Its Other (eds. Dijana Jelača, Maša Kolanović, Danijela Lugarić). Cham: Palgrave Macmillan, 2017, 43-60.\\
\\
“The October Garbo: Classical Hollywood and the Revolution.” Studia litterarum. Vol. 2. No. 2. 2017, 56-63.\\
\\
“The Psychopolitics of Socialism in Central and Eastern Europe (With Notes on ‘Walter Defends Sarajevo’).” Myth and Its Discontents: Memory and Trauma in Central and Eastern European Literature – Mythos und Ernüchterung: Zu Trauma und (fraglicher) Erinnerung in Literaturen des zentralen und östlichen Europa (eds. Danijela Lugarić, Milka Car, Gabor Tamas Molnar). Wien: Präsens Verlag, 2017, 191-203.\\
\\
“Stanley Cavell, Classical Hollywood and the Constitution of the Ordinary (With Notes on Billy Wilder).” AM Journal of Art and Media Studies. Issue 9. April 2016, 93-106.\\
\\
“Post-Socialism Remembers the Revolution: The Comedy of It.” Post-Yugoslav Constellations. Archive, Memory, and Trauma in Contemporary Bosnian, Croatian, and Serbian Literature and Culture (eds. Vlad Beronja, Stijn Vervaet). Berlin and Boston: De Gruyter, 2016, 149-168.\\
\\
Garbo Laughs: Revolution and Melancholia in Lubitsch’s Ninotchka.“ Lubitsch Can’t Wait. A Theoretical Examination (eds. Ivana Novak, Jela Krečič and Mladen Dolar), Ljubljana: Slovenian Cinematheque, 2014, 83-110.\\ \\[{ALLOW view All}][{ALLOW edit tjukic}][{ALLOW upload tjukic}][{ALLOW comment All}]