!!Max Saunders - Selected Publications
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Ford Madox Ford: A Dual Life. Volume 1. The World Before the War. xvii, 632 pp. (Oxford and New York: Oxford University Press, 1996). ISBN 0-19-211789-0, published 1 Feb. 1996. Reissued in paperback 2012.\\
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Ford Madox Ford: A Dual Life. Volume 2. The After-War World. (Oxford and New York: Oxford University Press, 1996), xiv, 696 pp. ISBN 0-19-212608-3. Published 26 September 1996. Reissued in paperback 2012.\\
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Ford Madox Ford: Selected Poems, edited and introduced by Max Saunders (Manchester: Carcanet, 1997), xv, 160 pp. ISBN 1 85754 343 2. \\
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Ford Madox Ford: War Prose, edited and introduced by Max Saunders (Manchester: Carcanet, 1999), 276 pp (Introduction, pp. 1-21). Also published as a hardback by New York University Press, 2004. \\
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Ford Madox Ford, Critical Essays. Edited by Max Saunders and Richard Stang. Manchester: Carcanet Press, 2002. xiv, 329 pp. Also published in hardback by New York University Press, 2004: ISBN 0-8147-2733-6\\
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Self Impression: Life-Writing, Autobiografiction and the Forms of Modern Literature (Oxford: Oxford University Press, 2010), xi, 563 pp. ISBN 978-0-19-957976-1\\
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Critical edition of Ford Madox Ford’s Some Do Not . . . (the first novel of his tetralogy Parade’s End), (Manchester: Carcanet Press, 2010), xciii, 426 pp, [[i.e. 519 pp altogether, comprising: 96 pp of introduction, notes on edition and text; 350 pp. of Ford’s text with my footnote annotations; 76pp of textual endnotes and bibliography.]]\\
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New edition of Ford’s The Good Soldier for Oxford World’s Classics (OUP 2012), with a substantial introduction, lviii, 193, plus 58 pp of appendices and notes.\\
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Imagined Futures: Writing, Science, and Modernity in the To-Day and To-Morrow Book Series, 1923-31. Oxford: Oxford University Press, 2019, 448 Pages. ISBN: 9780198829454\\
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Alfred Cohen – An American Artist in Europe: Between Figuration and Abstraction, ed. with Sarah MacDougall (London: Ben Uri Exhibitions / Wighton, Norfolk: Alfred Cohen Art Foundation, 2020), 240 pp. The first book on the artist.