!!Christopher Wood - Selected Publications
\\
A History of Art History (Princeton: Princeton University Press, 2019)\\Short-listed (one of five) for Apollo Book of the Year Award\\
\\
Anachronic Renaissance (with Alexander Nagel) (New York: ZONE Books, 2010)\\
Translated as Renaissance anachroniste (Paris: Presses du Réel, 2015) and Renacimiento anacronista (Madrid: Akal, 2017);     Rinascimento anacronico (Rome: Quodlibet, forthcoming)\\
\\
Forgery, Replica, Fiction: Temporalities of German Renaissance Art (Chicago: University of Chicago Press, 2008)  \\ Awarded the Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship\\
\\
“The dancer in and out of character:  Tiepolo, Canova, Degas,” in La parade, special issue of Res:  Anthropology and Aesthetics 73/74 (2020)\\
\\
“Formalismus und kein Ende.  Die Einführung zu ‘The Vienna School Reader’ mit einem neuen Nachwort,” Politics and Art Historical Method in the 1930s (2000), in Formbildung und Formbegriff:  Das Formdenken der Moderne, ed. Markus Klammer, Malika Maskarinec, Ralph Ubl, and Rahel Villinger (Munich: Fink, 2019), pp. 93-132\\
\\
“The Crime of Passion,” in Mariana Aguirre et al., eds. XXXIX Coloquio Internacional de Historia del Arte:  Historia del arte y estética, nudos y tramas, Universidad Nacional Autónoma de México-Instituto de Investigaciones Estéticas, Publicaciones Digitales, 2019, pp. 155-72    \\
\\
"Landscapes by Wolf Huber and Domenico Campagnola, invented, copied, and replicated,” in Jenseits des Disegno: Die Entstehung selbständiger Zeichnungen in Deutschland und Italien im 15. und 16. Jahrhundert, ed. Daniela Bohde and Alessandro Nova, with Anna Christina Schütz (Petersberg: Michael Omhoff, 2018), pp. 312-31\\
\\
“Figure and Ground in Goethe’s Wilhelm Meisters Lehrjahre,” ELH 84 (2017):  399-422\\
\\
“Allegorie und Prophezeiung,” in Allegorie:  DFG-Symposion 2014, ed. Ulla Haselstein (Berlin: De Gruyter, 2016), pp. 567-98\\
\\
“Image and Thing, A Modern Romance,” Representations 133 (2016):  130-51