Areas of Activity#

1

• 19th century French literature Go to

• Activity analyses Go to
• Aesthetical Discourse (history and theory of taste) Go to
• Aesthetics Go to
• Aesthetics Go to
• Aesthetics Go to
• American studies Go to
• Analyses of interpersonal communication devices Go to
• Art and technology Go to
• Art-based Research (bio-art and bio-media) Go to
• Art History and Archeology (historiographic focus) Go to
• Art history and its media Go to
• ART HISTORY AND VISUAL CULTURE Go to
• Audience research Go to
• Audience studies Go to
• Audience studies Go to
• Audience studies Go to

• Balkan cinema Go to
• Baudelaire Go to
• Bildwissenschaft Go to

• Case studies on innovation and user-centered design: mediated encounters Go to
• Celebrity studies Go to
• CHINA STUDIES Go to
• China studies Go to
• Cinema and cultural memory Go to
• Cinema and nation Go to
• Cinema-going and experience Go to
• Citizen engagement through Media Go to
• Colonial film Go to
• Communication and information technologies Go to
• Communication for development and social change Go to
• COMMUNICATION & MEDIA STUDIES Go to
• Communication science Go to
• COMMUNICATION SCIENES Go to
• COMMUNICATIONS Go to
• Communication studies Go to
• Communication theory Go to
• Comparative ethnography Go to
• Comparative literature Go to
• Comparative studies of mediated interactions Go to
• Consequences of online media for classical media Go to
• Consumption at a aistance Go to
• Contemporary Art Go to
• CONTEMPORARY THEATRE Go to
• Contemporary theatre practice Go to
• Co-present and aistributed courts of law Go to
• Creation, exhibition, and sharing of archival resources Go to
• CREATIVE ARTS Go to
• Critical theory Go to
• Cross-media news consumption Go to
• Cultural and visual anthropology Go to
• Cultural criminology Go to
• Cultural dimensions of mediatization Go to
• Cultural heritage studies Go to
• Cultural histories of performance Go to
• Cultural mediation Go to
• Cultural memory Go to
• Cultural processes Go to
• Cultural production and consumption in contemporary culture industries Go to
• Cultural studies Go to
• Cultural studies Go to
• Cultural studies Go to
• Cultural studies Go to
• Cultural theory Go to
• Culture and perception Go to
• Culture industries Go to
• Cyberculture Go to

• Datafication of social practices Go to
• Designing a geo-localized collection game for mobile phones and the internet: game, quasi-encounters and sociability Go to
• Diasporic media and representations of ethnicity Go to
• Digital aesthetics Go to
• Digital auras: Design of a proximity-sensitive matching service for mobile phones Go to
• Digital culture Go to
• Digital Humanities Go to
• Digital humanities Go to
• Digital media culture Go to
• Digital media Go to
• Digital media in personal relationships Go to
• Digital research methodologies Go to
• Digitization and marketization processes Go to
• Directors' theatre Go to

• Ecology Go to
• Emotions and media Go to
• English literature Go to
• Entertainment television and the relation between production practices and textual expressions Go to
• Environmental and ecological performance Go to
• Ethnography & folklore Go to
• European identities, symbols and narratives Go to
• European media and European audiences Go to
• European television and media culture in an international context Go to
• European theatre cultures Go to
• Experimental media Go to

• Feminism and media Go to
• Feminist media studies Go to
• Feminist studies Go to
• Film aesthetics Go to
• FILM AESTHETICS Go to
• FILM AND MEDIA STUDIES Go to
• FILM AND MEDIA STUDIES, MEMORY STUDIES Go to
• Film audiences Go to
• Film censorship Go to
• Film Go to
• Film Go to
• Film history Go to
• Film history Go to
• Film history Go to
• Film History Go to
• FILM, MEDIA, AND VISUAL CULTURE STUDIES Go to
• FILM, MEDIA AND VISUAL STUDIES Go to
• FILM, MEDIA & VISUAL STUDIES Go to
• Film philosophy Go to
• FILM-PHILOSOPHY Go to
• Film Philosophy Go to
• Film studies Go to
• Film studies Go to
• FILM STUDIES Go to
• Film studies Go to
• Film studies Go to
• Film studies Go to
• Film studies inc. genre studies, auteur studies and film history Go to
• Film theory Go to
• Film Theory Go to

• Gender and media/film Go to
• Gender studies Go to
• German literature Go to
• Global culture and media Go to
• Globalization studies Go to
• Godard and French Nouvelle Vague Go to

• History and Theory of Photography Go to
• History and theory of television in relation to other media, genres and production practices Go to
• History Go to
• History of European television Go to
• History of theater Go to
• Hollywood melodrama Go to
• Homelessness and media Go to
• Humanitarian communication Go to

• Identity representation and construction in cinema Go to
• IMAGE SCIENCE Go to
• Image science Go to
• Information and communication technologies Go to
• Information and communication technology Go to
• Information and media literacies Go to
• Intercultural performance Go to
• Intermedial interplays between cultural genres and media forms Go to
• International Communication Go to
• International politics Go to
• Internet studies Go to
• Intersectional interplays between identity dimensions Go to

• Journalism Go to
• Journalism studies Go to
• Joyce studies Go to

• LANGUAGES & LITERATURE Go to
• Literary theory Go to
• Literature (avant-gardes, literary theory) Go to
• Literature, culture and media studies Go to

• Marxism Go to
• Mass communication Go to
• Mass media and the public (sphere) Go to
• Media Aesthetics Go to
• Media and ageing Go to
• MEDIA AND COMMUNICATION Go to
• MEDIA AND COMMUNICATION STUDIES Go to
• Media and communication studies Go to
• Media and communication theory Go to
• Media and cultural analysis Go to
• MEDIA AND CULTURAL STUDIES Go to
• MEDIA AND CULTURE STUDIES Go to
• Media and democracy Go to
• Media and food markets Go to
• MEDIA AND GENDER STUDIES Go to
• Media and generations Go to
• Media and identities in national and transnational contexts Go to
• MEDIA AND INTERNET STUDIES Go to
• Media and the public sphere Go to
• Media and the public sphere Go to
• Media art history Go to
• Media art research Go to
• Media as practice Go to
• MEDIA AUDIENCE RESEARCH Go to
• Media audiences, especially the audiences for news media Go to
• MEDIA AUDIENCES Go to
• Media, communications and culture Go to
• Media consumption and the production of value in cultural industries Go to
• Media convergence Go to
• MEDIA/CULTURAL STUDIES Go to
• Media culture Go to
• Media culture Go to
• Media culture Go to
• Media development Go to
• Media domestication Go to
• Media ecologies Go to
• Media ethics Go to
• Media generations Go to
• Media Go to
• Media history Go to
• Media history Go to
• Media history Go to
• Media Philosophy Go to
• Media policy Go to
• Media policy Go to
• Media politics Go to
• Media practices and urban spaces Go to
• Media Processes and Effects: narrative experience and persuasion, cultivation, media use, environmental and health communication Go to
• Media production and institution studies Go to
• MEDIA RECEPTION, PROCESSES AND EFFECTS Go to
• Media rituals Go to
• MEDIA SOCIOLOGY Go to
• Media sociology Go to
• Media structure and use in the Baltic Sea region Go to
• Media studies Go to
• MEDIA STUDIES Go to
• Media studies Go to
• Media technologies Go to
• Mediated identity management Go to
• Mediated social interaction Go to
• Media Theory Go to
• Mediatization and everyday life Go to
• Mediatization Go to
• Mediatization theory Go to
• Media use and media contents, inc. patterns of individual use and media repertoires, media uses of children and young people Go to
• Memory studies Go to
• Memory, trauma and witnessing in Arts and Media Go to
• Methods and Methodology: quantitative and qualitative data collection and analysis; ex-perimental designs, multimethod designs Go to
• Methods of social research (text analysis and surveys) Go to
• Migration and transnational families Go to
• Mise en scène Go to
• Mixed and virtual reality Go to
• Mobile and social media in the global south Go to
• Mobile interpretation and user-generated documentation Go to
• Mobile media Go to
• Mobile media Go to
• Mobile methods Go to
• Modern Art Go to

• Narratives of Shoah in visual (cultural) memory Go to
• NEW MEDIA Go to
• New media Go to
• New media Go to
• News media Go to

• Oral history and digital heritage Go to
• Organizational communication Go to

• Performance and film analysis Go to
• PERFORMANCE STUDIES, NEW MEDIA Go to
• Philology Go to
• Philosophy (ancient, medieval, modern and contemporary) with emphasis on the problem of time Go to
• Philosophy and education Go to
• Philosophy and neuroscience Go to
• Photography Go to
• Photography Go to
• Polish and East European Theatre: Gardzienice and Jerzy Grotowski Go to
• Political communication Go to
• Political economy Go to
• Political economy of communication Go to
• POLITICAL ECONOMY OF CULTURE Go to
• Popular culture, civic engagement and participation Go to
• Popularisation of science and medicine Go to
• Popular music Go to
• Post-cinema Go to
• Practice as research Go to
• Presence Go to
• Process arts (videographic, auditive, installative, and performative arts as well as the virtual / hypertextual cultural practices) Go to
• Production of films Go to
• Psychoanalytic literary theory Go to
• Public opinion research Go to
• Publics and youth in the changing digital media landscape Go to
• Publishing industries Go to

• Qualitative methodology Go to
• Qualitative methods of media research Go to

• Reception studies Go to
• Religious studies (superstition, the body, cultural foundations of religions; contemporary religious endeavors) Go to
• Research assessment Go to
• Research management Go to
• Research policy Go to
• Risk Go to
• Risks and opportunities afforded by online technologies Go to
• Role of imagination Go to

• Science and art Go to
• Social and cultural theory Go to
• Social history of media Go to
• Social media Go to
• Social media Go to
• Social movements Go to
• Social robotics Go to
• Social theory Go to
• Social uses and consequences of communication technologies Go to
• Sociological studies on the uses of ICTs Go to
• Sociology Go to
• SOCIOLOGY OF COMMUNICATION Go to
• Sound design Go to
• Spanish-language theatre- and filmmakers Go to
• Studies of representations of ageing women in the media Go to
• Suicide calls on the telephone and the internet Go to
• Suzuki training and Eastern theatre forms Go to
• Symbolic power of media institutions Go to

• Television and culture Go to
• Television as heritage/Digital television heritage Go to
• THEATRE AND FILM Go to
• Theories of communication Go to
• Theories of media representation Go to
• Theories of performer training and performing Go to
• Theory of emotions Go to
• Transnational and transcultural communication Go to

• Urban big data Go to
• Uses of instant messaging in professional contexts Go to
• Uses of mobile games and ringtones Go to

• Video Go to
• Violence in the media Go to
• Visual and media narratives Go to
• Visual arts and visual culture (drama, film; contemporary aesthetics; intermediality, acting and improvisation) Go to
• Visual culture Go to
• Visual Culture Studies Go to
• Visual language Go to
• Visual memory Go to
• Visual Studies and its Boundaries (mirrors, frames and ‘immediacy’) Go to

• Work of operators in call centers (banking and telecom sectors) Go to