Areas of Activity#
Here you will find all fields of scholarship for this section.
1
- 19th century French literature Go to
A
- Aesthetical Discourse (history and theory of taste) Go to
- Aesthetics Go to
- Aesthetics Go to
- American studies Go to
- Art and technology Go to
- Art-based Research (bio-art and bio-media) Go to
- Art History and Archeology (historiographic focus) Go to
- Art history and its media Go to
- art history and visual culture Go to
- Audience research Go to
- Audience studies Go to
- Audience studies Go to
B
- Balkan cinema Go to
- Baudelaire Go to
C
- Celebrity studies Go to
- china studies Go to
- China studies Go to
- Cinema and cultural memory Go to
- Cinema and nation Go to
- Cinema-going and experience Go to
- Citizen engagement through Media Go to
- Colonial film Go to
- Communication and information technologies Go to
- communications Go to
- Communication studies Go to
- Comparative literature Go to
- Consequences of online media for classical media Go to
- contemporary theatre Go to
- Contemporary theatre practice Go to
- Creation, exhibition, and sharing of archival resources Go to
- creative arts Go to
- Critical theory Go to
- Cultural and visual anthropology Go to
- Cultural criminology Go to
- Cultural dimensions of mediatization Go to
- Cultural heritage studies Go to
- Cultural histories of performance Go to
- cultural informatics Go to
- Cultural informatics Go to
- Cultural mediation Go to
- Cultural memory Go to
- Cultural processes Go to
- Cultural production and consumption in contemporary culture industries Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural theory Go to
- Culture and perception Go to
- Culture industries Go to
- Cyberculture Go to
D
- Digital aesthetics Go to
- Digital archives Go to
- Digital cultural heritage Go to
- Digital culture Go to
- Digital humanities Go to
- Digital media Go to
- Digital research methodologies Go to
- Digitization and marketization processes Go to
- Directors' theatre Go to
E
- Ecology Go to
- Emotions and media Go to
- English literature Go to
- Entertainment television and the relation between production practices and textual expressions Go to
- Environmental and ecological performance Go to
- Ethnography & folklore Go to
- European identities, symbols and narratives Go to
- European media and European audiences Go to
- European theatre cultures Go to
- Experimental media Go to
F
- Feminism and media Go to
- Feminist media studies Go to
- Feminist studies Go to
- Film aesthetics Go to
- film aesthetics Go to
- film and media studies Go to
- film and media studies, memory studies Go to
- Film audiences Go to
- Film censorship Go to
- Film Go to
- Film Go to
- Film history Go to
- Film history Go to
- Film history Go to
- film, media and visual studies Go to
- film, media & visual studies Go to
- Film studies Go to
- film studies Go to
- Film studies Go to
- Film studies Go to
- Film studies inc. genre studies, auteur studies and film history Go to
- Film theory Go to
G
- Gender and media/film Go to
- Gender studies Go to
- German literature Go to
- Global culture and media Go to
- Godard and French Nouvelle Vague Go to
H
- History Go to
- History of theater Go to
- Hollywood melodrama Go to
- Homelessness and media Go to
I
- Identity representation and construction in cinema Go to
- image science Go to
- Image science Go to
- Information and communication technology Go to
- Information and media literacies Go to
- Information sciences Go to
- Intercultural performance Go to
- Intermedial interplays between cultural genres and media forms Go to
- International Communication Go to
- International politics Go to
- Intersectional interplays between identity dimensions Go to
J
- Journalism studies Go to
- Joyce studies Go to
L
- languages & literature Go to
- Literary theory Go to
- Literature (avant-gardes, literary theory) Go to
- Literature, culture and media studies Go to
M
- Marxism Go to
- Mass communication Go to
- Media and ageing Go to
- media and communication studies Go to
- Media and communication studies Go to
- Media and cultural analysis Go to
- media and cultural studies Go to
- Media and food markets Go to
- media and gender studies Go to
- Media and generations Go to
- Media and the public sphere Go to
- Media art history Go to
- Media art research Go to
- Media as practice Go to
- media audiences Go to
- Media, communications and culture Go to
- Media consumption and the production of value in cultural industries Go to
- Media convergence Go to
- media/cultural studies Go to
- Media culture Go to
- Media domestication Go to
- Media generations Go to
- Media Go to
- Media policy Go to
- Media politics Go to
- Media practices and urban spaces Go to
- Media Processes and Effects: narrative experience and persuasion, cultivation, media use, environmental and health communication Go to
- media reception, processes and effects Go to
- Media rituals Go to
- Media structure and use in the Baltic Sea region Go to
- media studies Go to
- Media technologies Go to
- Mediated identity management Go to
- Mediatization and everyday life Go to
- Media use and media contents, inc. patterns of individual use and media repertoires, media uses of children and young people Go to
- Memory studies Go to
- Memory, trauma and witnessing in Arts and Media Go to
- Methods and Methodology: quantitative and qualitative data collection and analysis; ex-perimental designs, multimethod designs Go to
- Mise en scène Go to
- Mixed and virtual reality Go to
- Mobile interpretation and user-generated documentation Go to
- Mobile media Go to
- Mobile media Go to
- Mobile methods Go to
N
- Narratives of Shoah in visual (cultural) memory Go to
- new media Go to
- New media Go to
O
- Oral history and digital heritage Go to
P
- Performance and film analysis Go to
- performance studies, new media Go to
- Philology Go to
- Philosophy (ancient, medieval, modern and contemporary) with emphasis on the problem of time Go to
- Philosophy and education Go to
- Photography Go to
- Photography Go to
- Polish and East European Theatre: Gardzienice and Jerzy Grotowski Go to
- Political economy Go to
- political economy of culture Go to
- Popular culture, civic engagement and participation Go to
- Popularisation of science and medicine Go to
- Popular music Go to
- Practice as research Go to
- Presence Go to
- Process arts (videographic, auditive, installative, and performative arts as well as the virtual / hypertextual cultural practices) Go to
- Production of films Go to
- Psychoanalytic literary theory Go to
- Public opinion research Go to
- Publics and youth in the changing digital media landscape Go to
R
- Real-time graphics systems architectures Go to
- Reception studies Go to
- Religious studies (superstition, the body, cultural foundations of religions; contemporary religious endeavors) Go to
- Research assessment Go to
- Research management Go to
- Research policy Go to
- Risk Go to
- Risks and opportunities afforded by online technologies Go to
- Role of imagination Go to
S
- Science and art Go to
- Social and cultural theory Go to
- Social history of media Go to
- Social media Go to
- Social robotics Go to
- sociology of communication Go to
- Sound design Go to
- Spanish-language theatre- and filmmakers Go to
- Studies of representations of ageing women in the media Go to
- Suzuki training and Eastern theatre forms Go to
- Symbolic power of media institutions Go to
T
- Television and culture Go to
- theatre and film Go to
- Theories of performer training and performing Go to
- Theory of emotions Go to
U
- Urban big data Go to
V
- Video Go to
- Violence in the media Go to
- Visual and media narratives Go to
- Visual arts and visual culture (drama, film; contemporary aesthetics; intermediality, acting and improvisation) Go to
- Visual culture Go to
- Visual language Go to
- Visual memory Go to
- Visual Studies and its Boundaries (mirrors, frames and ‘immediacy’) Go to
