Areas of Activity#
Here you will find all fields of scholarship for this section.This page is created automatically.1
- 19th century French literature Go to
- Action research with museums and media Go to
- Activity analyses Go to
- Adolescents/children and media Go to
- Advertising as culture, advertising as a show Go to
- Aesthetical Discourse (history and theory of taste) Go to
- Aesthetics Go to
- Aesthetics Go to
- Aesthetics Go to
- Ageing People, consumption discourses and IT Go to
- AI and the transformation of knowlege cultures Go to
- AI explainabilty and the politics of technology and epistemic cultures Go to
- American studies Go to
- Analyses of interpersonal communication devices Go to
- Analysis of advertising circulation in the current speech Go to
- Analysis of contemporary brand discourses transformations Go to
- Analysis of media transformations Go to
- Anthropology of arts Go to
- Art and technology Go to
- Art-based Research (bio-art and bio-media) Go to
- Art History and Archeology (historiographic focus) Go to
- Art history and its media Go to
- ART HISTORY AND VISUAL CULTURE Go to
- Audience and reception studies Go to
- Audience engagement and collaboration in museums and other heritage organisations Go to
- Audience research Go to
- Audience studies Go to
- Audience studies Go to
- Audience studies Go to
- Autoethnorgaphy Go to
- Balkan cinema Go to
- Baudelaire Go to
- Big data/deep data research methodology Go to
- Bildwissenschaft Go to
- Case studies on innovation and user-centered design: mediated encounters Go to
- Celebrity studies Go to
- Children, youth and media Go to
- CHINA STUDIES Go to
- China studies Go to
- Cinema and cultural memory Go to
- Cinema and nation Go to
- Cinema-going and experience Go to
- CINEMA STUDIES Go to
- Cinema studies Go to
- Citizen engagement through Media Go to
- Co-creation and collaboration with museums Go to
- Colonial film Go to
- COMMUNICATION AND DEVELOPMENT Go to
- Communication and information technologies Go to
- COMMUNICATION AND MEDIA Go to
- Communication for development and social change Go to
- Communication for development and social change Go to
- COMMUNICATION Go to
- COMMUNICATION & MEDIA STUDIES Go to
- Communication science Go to
- COMMUNICATION SCIENES Go to
- COMMUNICATIONS Go to
- Communication studies Go to
- Communication theory Go to
- Communication theory Go to
- Communication theory Go to
- Comparative ethnography Go to
- Comparative literature Go to
- Comparative studies of mediated interactions Go to
- Computational humanities Go to
- Consequences of online media for classical media Go to
- Consumption at a aistance Go to
- Contemporary Art Go to
- Contemporary European history (especially in a transnational perspective) Go to
- CONTEMPORARY THEATRE Go to
- Contemporary theatre practice Go to
- Contents and effects of political communication (esp. social networks, mobile phones) Go to
- Co-present and aistributed courts of law Go to
- Creation, exhibition, and sharing of archival resources Go to
- CREATIVE ARTS Go to
- Critical theories of the digital Go to
- Critical theory Go to
- Critical theory Go to
- Cross-media news consumption Go to
- Cultural and visual anthropology Go to
- Cultural citizenship Go to
- Cultural criminology Go to
- Cultural dimensions of mediatization Go to
- Cultural heritage studies Go to
- Cultural histories of performance Go to
- Cultural history of media (telegraphy, press, film, radio and television) Go to
- Cultural mediation Go to
- Cultural memory Go to
- Cultural processes Go to
- Cultural production and consumption in contemporary culture industries Go to
- Cultural production in the data age Go to
- Cultural studies and popular culture (entertainment theories, audience and genre research, reality TV, contemporary drama series) Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural studies Go to
- Cultural theory Go to
- Culture and perception Go to
- Culture industries Go to
- Cyberculture Go to
- Datafication of social practices Go to
- Designing a geo-localized collection game for mobile phones and the internet: game, quasi-encounters and sociability Go to
- Diasporic media and representations of ethnicity Go to
- Digital aesthetics Go to
- Digital and communicative aspects of culture Go to
- Digital auras: Design of a proximity-sensitive matching service for mobile phones Go to
- Digital communication Go to
- Digital culture Go to
- Digital culture heritage (archives, museums) Go to
- Digital exclusion/inclusion Go to
- Digital Humanities and interdisciplinarity Go to
- DIGITAL HUMANITIES, CRITICAL DIGITAL MEDIA STUDIES Go to
- Digital Humanities Go to
- Digital humanities Go to
- DIGITAL HUMANITIES Go to
- Digital Humanities Go to
- Digital media culture Go to
- Digital media Go to
- Digital Media Go to
- Digital media Go to
- Digital media Go to
- DIGITAL MEDIA Go to
- Digital media Go to
- Digital media in personal relationships Go to
- Digital mediation in social and economic life Go to
- Digital methodology in Humanities Go to
- Digital methods Go to
- Digital platform governance Go to
- DIGITAL (POLITICAL) COMMUNICATION Go to
- Digital research methodologies Go to
- Digital technology innovation Go to
- Digitization and marketization processes Go to
- Directors' theatre Go to
- Diversity in media work Go to
- Dyfunctions of digital public spheres Go to
- Ecology Go to
- e-Government Go to
- Electronic literature Go to
- Emotions and media Go to
- English literature Go to
- Entertainment television and the relation between production practices and textual expressions Go to
- Environmental and ecological performance Go to
- Essay Filmmaking Go to
- Ethnography & folklore Go to
- European cinemas Go to
- European identities, symbols and narratives Go to
- European media and European audiences Go to
- European television and media culture in an international context Go to
- European theatre cultures Go to
- Evidence-based interventions against cyberbullying and the role of schools, the police and news media Go to
- Experimental media Go to
- Feminism and media Go to
- Feminist media studies Go to
- Feminist studies Go to
- Feminist thinking on technology and the political Go to
- FILM AESTHETICS Go to
- Film aesthetics Go to
- FILM AND MEDIA STUDIES Go to
- FILM AND MEDIA STUDIES, MEMORY STUDIES Go to
- Film audiences Go to
- Film censorship Go to
- Film Go to
- Film Go to
- Film history Go to
- Film history Go to
- Film history Go to
- Film History Go to
- FILM, MEDIA, AND VISUAL CULTURE STUDIES Go to
- FILM, MEDIA AND VISUAL STUDIES Go to
- FILM, MEDIA & VISUAL STUDIES Go to
- Film philosophy Go to
- FILM-PHILOSOPHY Go to
- Film Philosophy Go to
- Film practice research Go to
- Film studies Go to
- Film studies Go to
- FILM STUDIES Go to
- Film studies Go to
- Film studies Go to
- Film studies Go to
- Film studies inc. genre studies, auteur studies and film history Go to
- Film studies methodologies Go to
- Film theory Go to
- Film Theory Go to
- Film theory Go to
- Found footage filmmaking Go to
- Games for health Go to
- Games studies Go to
- Games studies Go to
- GAME STUDIES Go to
- GAME STUDIES, MEDIA & TECHNOLOGY STUDIES Go to
- Gender and media/film Go to
- Gender studies Go to
- Gender studies Go to
- Gender studies in communication studies Go to
- Generations Go to
- German literature Go to
- Global culture and media Go to
- Globalization studies Go to
- Godard and French Nouvelle Vague Go to
- Health prevention and communication linked to rare cancers, social communication and advertising models Go to
- History and sociology of cinema Go to
- History and sociology of performance arts Go to
- History and Theory of Photography Go to
- History and theory of television in relation to other media, genres and production practices Go to
- History Go to
- History of European television Go to
- History of technology (especially communication an information technologies) Go to
- History of theater Go to
- Hollywood melodrama Go to
- Homelessness and media Go to
- Humanitarian communication Go to
- Identity policies Go to
- Identity representation and construction in cinema Go to
- IMAGE SCIENCE Go to
- Image science Go to
- Impact of cyberbullying Go to
- Inclusion and exclusion by/to the media Go to
- INFORMATION AND COMMUNICATION SCIENCES Go to
- Information and communication technologies Go to
- Information and communication technology Go to
- Information and Digital economy Go to
- Information and media literacies Go to
- Intercultural performance Go to
- Intermedial interplays between cultural genres and media forms Go to
- International Communication Go to
- International health communication Go to
- International politics Go to
- Internet Go to
- Internet studies Go to
- Internet studies Go to
- Internet users and social applications of new technologies Go to
- Intersectional interplays between identity dimensions Go to
- Ireland and cinema Go to
- JOURNALISM AND COMMUNICATION Go to
- Journalism Go to
- Journalism Go to
- Journalism studies Go to
- Joyce studies Go to
- Latin American cinemas Go to
- Linguistic representations and imagination related to the language of advertising Go to
- Literary theory Go to
- Literary theory Go to
- Literature (avant-gardes, literary theory) Go to
- Literature, culture and media studies Go to
- Marxism Go to
- Mass communication Go to
- Mass media and the public (sphere) Go to
- Material and cultural studies (museology, biographies of artefacts) Go to
- Media Aesthetics Go to
- Media and ageing Go to
- Media and artistic discourses on flight and migration Go to
- MEDIA AND COMMUNICATION Go to
- MEDIA AND COMMUNICATION STUDIES Go to
- Media and communication studies Go to
- Media and communication theory Go to
- Media and cultural analysis Go to
- MEDIA AND CULTURAL STUDIES Go to
- MEDIA AND CULTURE STUDIES Go to
- Media and democracy Go to
- Media and democracy Go to
- Media and food markets Go to
- MEDIA AND GENDER STUDIES Go to
- Media and generations Go to
- Media and identities in national and transnational contexts Go to
- MEDIA AND INTERNET STUDIES Go to
- Media and mobility Go to
- Media and space (geomedia) Go to
- Media and the public sphere Go to
- Media and the public sphere Go to
- Media and tourism Go to
- Media art history Go to
- Media art research Go to
- Media as practice Go to
- MEDIA AUDIENCE RESEARCH Go to
- Media audiences, especially the audiences for news media Go to
- Media audiences Go to
- MEDIA AUDIENCES Go to
- MEDIA AUDIENCES, POPULAR CULTURE Go to
- Media audience studies Go to
- Media, communications and culture Go to
- Media consumption and the production of value in cultural industries Go to
- Media convergence Go to
- Media & Cultural Production Go to
- MEDIA/CULTURAL STUDIES Go to
- Media culture Go to
- Media culture Go to
- Media culture Go to
- Media development Go to
- Media domestication Go to
- Media ecologies Go to
- Media ethics Go to
- Media generations Go to
- Media Go to
- Media Go to
- Media Go to
- Media history Go to
- Media history Go to
- Media history Go to
- Media history Go to
- Media literacy Go to
- Media mutations Go to
- Media Philosophy Go to
- Media policy Go to
- Media policy Go to
- Media politics Go to
- Media practices and urban spaces Go to
- Media Processes and Effects: narrative experience and persuasion, cultivation, media use, environmental and health communication Go to
- Media production and institution studies Go to
- MEDIA RECEPTION, PROCESSES AND EFFECTS Go to
- Media regulation Go to
- Media resistance Go to
- Media rituals Go to
- MEDIA SOCIOLOGY Go to
- Media sociology Go to
- Media sociology Go to
- Media structure and use in the Baltic Sea region Go to
- Media studies Go to
- Media studies Go to
- MEDIA STUDIES Go to
- Media studies Go to
- Media technologies Go to
- Mediated communication and democratic development Go to
- Mediated identity management Go to
- Mediated social interaction Go to
- Media theory and analysis Go to
- Media theory, digital communication and data storytelling Go to
- Media theory, digital communication and sociology of consumption Go to
- Media Theory Go to
- Mediatization and everyday life Go to
- Mediatization Go to
- Mediatization Go to
- Mediatization theory Go to
- Media use and media contents Go to
- MEDIA USE, MEDIA EFFECTS Go to
- Memory studies Go to
- Memory, trauma and witnessing in Arts and Media Go to
- Methods and Methodology: quantitative and qualitative data collection and analysis; ex-perimental designs, multimethod designs Go to
- Methods of social research (text analysis and surveys) Go to
- Migration and transnational families Go to
- Mise en scène Go to
- Mixed and virtual reality Go to
- Mobile and social media in the global south Go to
- Mobile communication and news Go to
- Mobile interpretation and user-generated documentation Go to
- Mobile media Go to
- Mobile media Go to
- Mobile media & mobilities Go to
- Mobile methods Go to
- Modern Art Go to
- Narratives and health Go to
- Narratives of Shoah in visual (cultural) memory Go to
- New and emerging technologies, social uses of technologies Go to
- NEW MEDIA Go to
- New media Go to
- New media Go to
- News media Go to
- ociology of cultural processes and media Go to
- Online behavior Go to
- Online communication Go to
- Online interaction and relationships Go to
- Oral history and digital heritage Go to
- Organizational communication Go to
- Participatory culture Go to
- Perec and automatic writing Go to
- Performance and film analysis Go to
- PERFORMANCE STUDIES, NEW MEDIA Go to
- Philology Go to
- Philosophy (ancient, medieval, modern and contemporary) with emphasis on the problem of time Go to
- Philosophy and education Go to
- Philosophy and neuroscience Go to
- Photography Go to
- Photography Go to
- Polish and East European Theatre: Gardzienice and Jerzy Grotowski Go to
- Political communication Go to
- Political communication Go to
- Political communication Go to
- Political economy Go to
- Political economy of communication Go to
- POLITICAL ECONOMY OF CULTURE Go to
- Popular culture, civic engagement and participation Go to
- Popular culture Go to
- Popularisation of science and medicine Go to
- Popular music Go to
- Populism Go to
- Post-cinema Go to
- Practice as research Go to
- Presence Go to
- Prevalence of cyberbullying and the profiles of bullies and victims Go to
- Process arts (videographic, auditive, installative, and performative arts as well as the virtual / hypertextual cultural practices) Go to
- Production of films Go to
- Production studies Go to
- Psychoanalytic literary theory Go to
- Public opinion research Go to
- Publics and youth in the changing digital media landscape Go to
- Publishing industries Go to
- Qualitative methodology Go to
- Qualitative methods of media research Go to
- Qualitative research Go to
- Quantitative und qualitative empirical methods Go to
- Reception studies Go to
- Regional history (Euregio, Saar-Lox-Lux, especially German speaking part of Belgium) Go to
- Regulatory effectiveness and failure Go to
- Religious studies (superstition, the body, cultural foundations of religions; contemporary religious endeavors) Go to
- Research assessment Go to
- Research management Go to
- Research methodologies Go to
- Research policy Go to
- Rising of an advertising digital literacy Go to
- Risk Go to
- Risks and opportunities afforded by online technologies Go to
- Science and art Go to
- Science and art Go to
- Science fiction, technology and utopian thinking Go to
- Screen studies Go to
- Semio-communicational approach of advertising discourse and media discourses Go to
- Silent cinema Go to
- Social acceleration Go to
- Social and cultural theory Go to
- Social aspects of datafied museums and cultural heritage Go to
- Social consequences of mobile communication Go to
- Social history of media Go to
- Social history of the internet Go to
- Socialization Go to
- Social media Go to
- Social media Go to
- Social movements Go to
- Social network sites Go to
- Social network society Go to
- Social participation through cultural productions Go to
- Social robotics Go to
- Social theory Go to
- Social transformations Go to
- Social uses and consequences of communication technologies Go to
- Sociological studies on the uses of ICTs Go to
- "SOCIOLOGY" "COMMUNICATIONS" Go to
- Sociology Go to
- SOCIOLOGY OF COMMUNICATION Go to
- Sociology of cultural and communication processes Go to
- Sound design Go to
- Spanish-language theatre- and filmmakers Go to
- Studies of representations of ageing women in the media Go to
- Suicide calls on the telephone and the internet Go to
- Survey methodology Go to
- Suzuki training and Eastern theatre forms Go to
- Symbolic power of media institutions Go to
- Systems theory Go to
- Technology and social power Go to
- Technology and society Go to
- Technology governance and policy Go to
- Teenagers and consumption discourses Go to
- Television and culture Go to
- Television as heritage/Digital television heritage Go to
- Television studies Go to
- Text and discourse analysis Go to
- THEATRE AND FILM Go to
- Theoretical status of the brand name Go to
- Theories of communication and media studies Go to
- Theories of communication Go to
- Theories of media representation Go to
- Theories of performer training and performing Go to
- Theories of the everyday Go to
- Theories of the public (esp. three-level model of the public sphere) Go to
- Theoritical definition of advertising discourses (stereotypes, intertextuality, aura of commodity, power of representation and political role) Go to
- Theorizing media histories and archaeologies, automation anxiety Go to
- Theory and methods of historiography (with a focus on digital history) Go to
- Transformation of the public sphere through digital media Go to
- Transnational and transcultural communication Go to
- Transnational communication Go to
- TRANSNATIONAL MEDIA HISTORY, DIGITAL HISTORY, EUROPEAN HISTORY OF COMMUNICATION TECHNOLOGIES Go to
- Urban big data Go to
- Uses of instant messaging in professional contexts Go to
- Uses of mobile games and ringtones Go to
- Value orientations, value structures and mental structures Go to
- Video Go to
- Videographic film studies Go to
- Violence in the media Go to
- Visual and media narratives Go to
- Visual arts and visual culture (drama, film; contemporary aesthetics; intermediality, acting and improvisation) Go to
- Visual culture Go to
- Visual Culture Studies Go to
- Visual language Go to
- Visual memory Go to
- Visual Studies and its Boundaries (mirrors, frames and ‘immediacy’) Go to