Areas of Activity#

Here you will find all fields of scholarship for this section.This page is created automatically.

1

  • 19th century French literature Go to
A
  • Activity analyses Go to
  • Aesthetical Discourse (history and theory of taste) Go to
  • Aesthetics Go to
  • Aesthetics Go to
  • Aesthetics Go to
  • American studies Go to
  • Analyses of interpersonal communication devices Go to
  • Art and technology Go to
  • Art-based Research (bio-art and bio-media) Go to
  • Art History and Archeology (historiographic focus) Go to
  • Art history and its media Go to
  • ART HISTORY AND VISUAL CULTURE Go to
  • Audience research Go to
  • Audience studies Go to
  • Audience studies Go to
  • Audience studies Go to
B C
  • Case studies on innovation and user-centered design: mediated encounters Go to
  • Celebrity studies Go to
  • CHINA STUDIES Go to
  • China studies Go to
  • Cinema and cultural memory Go to
  • Cinema and nation Go to
  • Cinema-going and experience Go to
  • Citizen engagement through Media Go to
  • Colonial film Go to
  • Communication and information technologies Go to
  • Communication for development and social change Go to
  • COMMUNICATION & MEDIA STUDIES Go to
  • Communication science Go to
  • COMMUNICATION SCIENES Go to
  • COMMUNICATIONS Go to
  • Communication studies Go to
  • Communication theory Go to
  • Comparative ethnography Go to
  • Comparative literature Go to
  • Comparative studies of mediated interactions Go to
  • Consequences of online media for classical media Go to
  • Consumption at a aistance Go to
  • Contemporary Art Go to
  • CONTEMPORARY THEATRE Go to
  • Contemporary theatre practice Go to
  • Co-present and aistributed courts of law Go to
  • Creation, exhibition, and sharing of archival resources Go to
  • CREATIVE ARTS Go to
  • Critical theory Go to
  • Cross-media news consumption Go to
  • Cultural and visual anthropology Go to
  • Cultural criminology Go to
  • Cultural dimensions of mediatization Go to
  • Cultural heritage studies Go to
  • Cultural histories of performance Go to
  • Cultural mediation Go to
  • Cultural memory Go to
  • Cultural processes Go to
  • Cultural production and consumption in contemporary culture industries Go to
  • Cultural studies Go to
  • Cultural studies Go to
  • Cultural studies Go to
  • Cultural studies Go to
  • Cultural theory Go to
  • Culture and perception Go to
  • Culture industries Go to
  • Cyberculture Go to
D
  • Datafication of social practices Go to
  • Designing a geo-localized collection game for mobile phones and the internet: game, quasi-encounters and sociability Go to
  • Diasporic media and representations of ethnicity Go to
  • Digital aesthetics Go to
  • Digital auras: Design of a proximity-sensitive matching service for mobile phones Go to
  • Digital culture Go to
  • Digital Humanities Go to
  • Digital humanities Go to
  • Digital media culture Go to
  • Digital media Go to
  • Digital media in personal relationships Go to
  • Digital research methodologies Go to
  • Digitization and marketization processes Go to
  • Directors' theatre Go to
E
  • Ecology Go to
  • Emotions and media Go to
  • English literature Go to
  • Entertainment television and the relation between production practices and textual expressions Go to
  • Environmental and ecological performance Go to
  • Ethnography & folklore Go to
  • European identities, symbols and narratives Go to
  • European media and European audiences Go to
  • European television and media culture in an international context Go to
  • European theatre cultures Go to
  • Experimental media Go to
F G
  • Gender and media/film Go to
  • Gender studies Go to
  • German literature Go to
  • Global culture and media Go to
  • Globalization studies Go to
  • Godard and French Nouvelle Vague Go to
H
  • History and Theory of Photography Go to
  • History and theory of television in relation to other media, genres and production practices Go to
  • History Go to
  • History of European television Go to
  • History of theater Go to
  • Hollywood melodrama Go to
  • Homelessness and media Go to
  • Humanitarian communication Go to
I
  • Identity representation and construction in cinema Go to
  • IMAGE SCIENCE Go to
  • Image science Go to
  • Information and communication technologies Go to
  • Information and communication technology Go to
  • Information and media literacies Go to
  • Intercultural performance Go to
  • Intermedial interplays between cultural genres and media forms Go to
  • International Communication Go to
  • International politics Go to
  • Internet studies Go to
  • Intersectional interplays between identity dimensions Go to
J L
  • LANGUAGES & LITERATURE Go to
  • Literary theory Go to
  • Literature (avant-gardes, literary theory) Go to
  • Literature, culture and media studies Go to
M
  • Marxism Go to
  • Mass communication Go to
  • Mass media and the public (sphere) Go to
  • Media Aesthetics Go to
  • Media and ageing Go to
  • MEDIA AND COMMUNICATION Go to
  • MEDIA AND COMMUNICATION STUDIES Go to
  • Media and communication studies Go to
  • Media and communication theory Go to
  • Media and cultural analysis Go to
  • MEDIA AND CULTURAL STUDIES Go to
  • MEDIA AND CULTURE STUDIES Go to
  • Media and democracy Go to
  • Media and food markets Go to
  • MEDIA AND GENDER STUDIES Go to
  • Media and generations Go to
  • Media and identities in national and transnational contexts Go to
  • MEDIA AND INTERNET STUDIES Go to
  • Media and the public sphere Go to
  • Media and the public sphere Go to
  • Media art history Go to
  • Media art research Go to
  • Media as practice Go to
  • MEDIA AUDIENCE RESEARCH Go to
  • Media audiences, especially the audiences for news media Go to
  • MEDIA AUDIENCES Go to
  • Media, communications and culture Go to
  • Media consumption and the production of value in cultural industries Go to
  • Media convergence Go to
  • MEDIA/CULTURAL STUDIES Go to
  • Media culture Go to
  • Media culture Go to
  • Media culture Go to
  • Media development Go to
  • Media domestication Go to
  • Media ecologies Go to
  • Media ethics Go to
  • Media generations Go to
  • Media Go to
  • Media history Go to
  • Media history Go to
  • Media history Go to
  • Media Philosophy Go to
  • Media policy Go to
  • Media policy Go to
  • Media politics Go to
  • Media practices and urban spaces Go to
  • Media Processes and Effects: narrative experience and persuasion, cultivation, media use, environmental and health communication Go to
  • Media production and institution studies Go to
  • MEDIA RECEPTION, PROCESSES AND EFFECTS Go to
  • Media rituals Go to
  • MEDIA SOCIOLOGY Go to
  • Media sociology Go to
  • Media structure and use in the Baltic Sea region Go to
  • Media studies Go to
  • MEDIA STUDIES Go to
  • Media studies Go to
  • Media technologies Go to
  • Mediated identity management Go to
  • Mediated social interaction Go to
  • Media Theory Go to
  • Mediatization and everyday life Go to
  • Mediatization Go to
  • Mediatization theory Go to
  • Media use and media contents, inc. patterns of individual use and media repertoires, media uses of children and young people Go to
  • Memory studies Go to
  • Memory, trauma and witnessing in Arts and Media Go to
  • Methods and Methodology: quantitative and qualitative data collection and analysis; ex-perimental designs, multimethod designs Go to
  • Methods of social research (text analysis and surveys) Go to
  • Migration and transnational families Go to
  • Mise en scène Go to
  • Mixed and virtual reality Go to
  • Mobile and social media in the global south Go to
  • Mobile interpretation and user-generated documentation Go to
  • Mobile media Go to
  • Mobile media Go to
  • Mobile methods Go to
  • Modern Art Go to
N O
  • Oral history and digital heritage Go to
  • Organizational communication Go to
P
  • Performance and film analysis Go to
  • PERFORMANCE STUDIES, NEW MEDIA Go to
  • Philology Go to
  • Philosophy (ancient, medieval, modern and contemporary) with emphasis on the problem of time Go to
  • Philosophy and education Go to
  • Philosophy and neuroscience Go to
  • Photography Go to
  • Photography Go to
  • Polish and East European Theatre: Gardzienice and Jerzy Grotowski Go to
  • Political communication Go to
  • Political economy Go to
  • Political economy of communication Go to
  • POLITICAL ECONOMY OF CULTURE Go to
  • Popular culture, civic engagement and participation Go to
  • Popularisation of science and medicine Go to
  • Popular music Go to
  • Post-cinema Go to
  • Practice as research Go to
  • Presence Go to
  • Process arts (videographic, auditive, installative, and performative arts as well as the virtual / hypertextual cultural practices) Go to
  • Production of films Go to
  • Psychoanalytic literary theory Go to
  • Public opinion research Go to
  • Publics and youth in the changing digital media landscape Go to
  • Publishing industries Go to
Q
  • Qualitative methodology Go to
  • Qualitative methods of media research Go to
R
  • Reception studies Go to
  • Religious studies (superstition, the body, cultural foundations of religions; contemporary religious endeavors) Go to
  • Research assessment Go to
  • Research management Go to
  • Research policy Go to
  • Risk Go to
  • Risks and opportunities afforded by online technologies Go to
  • Role of imagination Go to
S
  • Science and art Go to
  • Social and cultural theory Go to
  • Social history of media Go to
  • Social media Go to
  • Social media Go to
  • Social movements Go to
  • Social robotics Go to
  • Social theory Go to
  • Social uses and consequences of communication technologies Go to
  • Sociological studies on the uses of ICTs Go to
  • Sociology Go to
  • SOCIOLOGY OF COMMUNICATION Go to
  • Sound design Go to
  • Spanish-language theatre- and filmmakers Go to
  • Studies of representations of ageing women in the media Go to
  • Suicide calls on the telephone and the internet Go to
  • Suzuki training and Eastern theatre forms Go to
  • Symbolic power of media institutions Go to
T
  • Television and culture Go to
  • Television as heritage/Digital television heritage Go to
  • THEATRE AND FILM Go to
  • Theories of communication Go to
  • Theories of media representation Go to
  • Theories of performer training and performing Go to
  • Theory of emotions Go to
  • Transnational and transcultural communication Go to
U
  • Urban big data Go to
  • Uses of instant messaging in professional contexts Go to
  • Uses of mobile games and ringtones Go to
V
  • Video Go to
  • Violence in the media Go to
  • Visual and media narratives Go to
  • Visual arts and visual culture (drama, film; contemporary aesthetics; intermediality, acting and improvisation) Go to
  • Visual culture Go to
  • Visual Culture Studies Go to
  • Visual language Go to
  • Visual memory Go to
  • Visual Studies and its Boundaries (mirrors, frames and ‘immediacy’) Go to
W
  • Work of operators in call centers (banking and telecom sectors) Go to
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