Wojciech Bałus - Selected Publications#
1. Gotik ohne Gott? Die Symbolik des Kirchengebäudes im 19. Jahrhundert, übers. Ewa Górbiel, Tomasz Szybisty, Frankfurt am Main et al.: Peter Lang, 2016
2. A Matter of Matter: Transparent – Translucent – Diaphanum in the Medium of Stained Glass, in: Investigations in Mediaeval Stained Glass: Materials, Methods and Expressions, ed. Elizabeth Carson Pastan, Brigitte Kurmann-Schwarz (Reading Medieval Sources, vol. 3), Leiden–Boston: Brill, 2019, p. 109-118.
3. The place of the Vienna school of art history in Polish art historiography of the interwar period, „Journal of Art Historiography” 21, 2019 https://arthistoriography.files.wordpress.com/2019/11/bac582us.pdf
4. Turning Points, Crises, Evolutions, „Artium Quaestiones” 30, 2019, p. 21-35
5. God The Father. Stanisław Wyspiański and Katherine Mansfield, in: Katherine Mansfield: International Approaches, ed. Janka Kascakova, Gerri Kimber, Władysław Witalisz, (Routledge Studies in Twentieth Century Literature), New York–London: Routledge, 2022, p. 24-46.
6. In the Glow of a Classic: Remarks on the Reception of Heinrich Wölfflin in Polish Art History, in: The Global Reception of Heinrich Wölfflin’s ‘Principles of Art History’, ed. Evonne Levy, Tristan Weddigen (Studies in History of Art, t. 82; Center for Advanced Study in the Visual Arts, Symposium Papers, t. 59) Washington 2020: NGA, p. 247-258.
7. Stained Glass and the Discovery of the Baroque in the Late Nineteenth Century, „Zeitschrift für Kunstgeschichte” 83, 2020, no. 4, p. 554-571.
8. An Artist, a Glass Painter, a Craftsman, and a Debate on their Role in the Design and Execution of Stained Glass, „Biuletyn Historii Sztuki” 85, 2023, no. 2, p. 109-118
9. Max Dvořák, the (Christian) Architecture and the Limits of „Kunstgeschichte als Geistesgeschichte”, „Artibus et Historiae” 87, 2023, p. 241-257.
10. Wojciech Bałus, Magdalena Kunińska (ed.),Art Historiography and Iconologies Between West and East (Studies in Art Historiography, red. Richard Woodfield), New York and London: Routledge, 2024.
