Emilio Ros-Fábregas - Selected publications#

• “Music and Ceremony during Charles V’s 1519 visit to Barcelona”, Early Music, XXIII/3 (1995), pp. 374-91.
  
• "Historiografía de la Música en las Catedrales Españolas: Positivismo y Nacionalismo en la Investigación Musicológica” , CODEXXI, Revista de la Comunicación Musical, 1 (1998), pp. 41-105.
  
• “Libros de música en bibliotecas españolas del siglo XVI”, Pliegos de Bibliofilia, 15, 16 and 17 (2001-2002), pp. 37-62; pp. 33-46; and pp. 17-54.
  
• “The Cardona and Fernández de Córdoba Coats of Arms in the Chigi Codex”, Early Music History, 21 (2002), pp. 223-58.
  
• “´Foreign` music and musicians in sixteenth-century Spain”, The Royal Chapel in the Time of the Habsburgs. Music and Ceremony in the Early Modern European Court, ed. by Tess Knighton. Woodbridge, UK: The Boydell Press, 2005; pp. 64-84.
  
• “Script and Print: The Transmission of Non-Iberian Polyphony in Renaissance Barcelona”, Early Music Printing and Publishing in the Iberian World, ed. by Iain Fenlon and Tess Knighton. Kassel: Reichenberger, 2006; pp. 299-328.
• “Retos de la musicología en la España del siglo XXI: de la reflexión a la aplicación práctica en el aula”. Revista de Musicología, XXIX/1 (2006), pp. 11-44. http://hdl.handle.net/10261/19712
  
• La música y el Atlántico. Relaciones Musicales entre España y Latinoamérica, coedited with María Gembero-Ustárroz. Granada: Universidad de Granada, 2007.
  
• “Flemish Polyphony in Sixteenth-Century Iberian Manuscripts”, Yearbook of the Alamire Foundation, 7 (2008), pp. 99-119.
  
• “Melodies for Private Devotion at the Castilian Court of Queen Isabel”, Questioning the Queen: New Perspectives on Isabel I of Castile, ed. by Barbara Weissberger. Woodbridge, United Kingdom: Tamesis, 2008; pp. 83-107.
  
• “A Sixteenth-Century Ostinato Motet for Barcelona´s Patroness St Eulalia”, Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, ed. Tess Knighton and Bernadette Nelson. Kassel: Reichenberger, 2011; pp. 344-353.
  
• “Cristóbal de Morales: A Problem of Musical Mysticism and National Identity in the Historiography of the Renaissance”, Sacred and Litugical Renaissance Music, ed. Andrew Kirkman (Aldershot: Ashgate, 2012), pp. 497-515.
  
• “‘Imagine all the people…’: polyphonic flowers in the hands and voices of Indians in 16th-century Mexico”, Early Music, 40/2 (2012), pp. 177-189.