Angela Esterhammer - List of publications#

• Co-editor (with Alexander J. Dick), Spheres of Action: Speech and Performance in Romantic Culture. Toronto: University of Toronto Press, 2009.

• Romanticism and Improvisation, 1750-1850. Cambridge: Cambridge University Press, 2008.

• Co-editor (with Jefferson J. A. Gatrall), Identity and Community: Constructions, Deconstructions, Reconstructions. Special issue of Arcadia: International Journal of Literary Studies 43 (2008), No. 1.

• Editor, Northrop Frye on Milton and Blake. Volume 16 of the Collected Works of Northrop Frye. Toronto: University of Toronto Press, 2005.

• Spontaneous Overflows and Revivifying Rays: Romanticism and the Discourse of Improvisation. Vancouver: Ronsdale Press, 2004.

• Co-editor (with Vladimir Biti). Framing Contingency. Special issue of Arcadia 39 (2004), No. 2.

• Editor, Romantic Poetry. Comparative History of Literatures in European Languages. Amsterdam: John Benjamins, 2002.

• The Romantic Performative: Language and Action in British and German Romanticism. Stanford University Press, 2000.

• Creating States: Studies in the Performative Language of John Milton and William Blake. University of Toronto Press, 1994. 245 pp.

• Two Stories of Prague, by R. M. Rilke. A translation and critical introduction. University Press of New England, 1994. 109 pp.

• Editor, Philosophies of Genre. Special Issue of European Romantic Review, 5 (1994), No. 1. 131 pp.

• “Media, Improvisation, and Cultural Mobility: The Late-Romantic Information Age.” Perspektiven europäischer Romantik-Forschung heute. Ed. Helmut Hühn and Joachim Schiedermair. Berlin: de Gruyter (forthcoming 2013).

• “The Improvisation of Poetry, 1750-1850: Oral Performance, Print Culture, and the Modern Homer.” The Oxford Handbook of Critical Improvisation Studies. Ed. George E. Lewis and Benjamin Piekut. New York: Oxford UP (forthcoming 2013).

• “’Maga-scenes’: Performing Periodical Literature in the 1820s.” The Public Intellectual and the Culture of Hope. Ed. Joel R. Faflak and Jason Haslam. Toronto: University of Toronto Press (forthcoming 2013).

• “Impersonation in Late-Romantic Urban Performance and Print Culture.” Romantic Cityscapes. Ed. Jens Martin Gurr and Frank Erik Pointner. Trier: Wissenschaftlicher Verlag Trier (forthcoming 2013).

• “John Galt’s Mediterranean Experience.” The Wordsworth Circle 43 (2012): 113-16.

• “1824: Improvisation, Speculation, and Identity-Construction.” BRANCH (Britain, Representation, and Nineteenth-Century History, 1775-1925). Ed. Dino Franco Felluga. 2012.

• “Sayings, Doings, and Speculations: Remediating Theodore Hook’s Silver-fork Fiction.” Informal Romanticism. Ed. James Vigus. Trier: Wissenschaftlicher Verlag Trier, 2012. 131-43.

• “Agency, Destiny, and National Character: John Galt and Europe.” John Galt: Observations and Conjectures on Literature, History, and Society. Ed. Regina Hewitt. Lanham, MD: Rowman and Littlefield/Bucknell UP, 2012. 323-44.

• “Die Kunst des stimmigen Wortes. Improvisatoren und ihr Publikum im 19. Jahrhundert.” Concordia discors. Ästhetiken der Stimmung zwischen Literaturen, Künsten und Wissenschaften. Ed. Hans-Georg von Arburg and Sergej Rickenbacher. Würzburg: Königshausen & Neumann, 2012. 23-34.

• “John Thelwall’s Panoramic Miscellany: The Lecturer as Journalist.” John Thelwall: Critical Reassessments. Ed. Yasmin Solomonescu. Series title: Romantic Circles Praxis (September 2011). http://romantic.arhu.umd.edu/praxis/thelwall/index.html

• “Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance.” Dante and Italy in British Romanticism. Ed. Frederick Burwick and Paul Douglass. New York: Palgrave Macmillan, 2011. 143-59.

• “John Galt’s Fictional and Performative Worlds.” The Edinburgh Companion to Scottish Romanticism. Ed. Murray Pittock. Edinburgh: Edinburgh University Press, 2011. 166-77.

• “Coleridge’s ‘The Improvisatore’: Poetry, Performance, and Remediation.” The Wordsworth Circle 40 (2011): 122-8.

• “Spontaneity, Immediacy, and Improvisation in Romantic Poetry.” A Companion to Romantic Poetry. Ed. Charles Mahoney. Oxford: Wiley-Blackwell, 2011. 321-36.

• “Performing Identities in Byron and Bourdieu.” Performing the Self. Ed. Karen Junod and Didier Maillat. Series title: SPELL (Swiss Papers in English Language and Literature) 24.Tübingen: Narr Verlag, 2010. 21-31.

• “The Scandal of Sincerity: Wordsworth, Byron, Landon.” Romanticism, Sincerity and Authenticity. Ed. Tim Milnes and Kerry Sinanan. Houndmills: Palgrave Macmillan, 2010. 101-19.

• “London Periodicals, Scottish Novels, and Italian Fabrications: Andrew of Padua, the Improvisatore Re-membered.” Studies in Romanticism 48 (2009): 469-90.

• “Byron and Cosmopolitanism.” Primerjalna književnost (= Comparative Literature, Ljubljana) 32.2 (2009): 113-21.

• “Übertragene Ruinen: Byron, Hemans, Keats.” Übertragene Anfänge: Imperiale Figurationen um 1800. Ed. Tobias Döring, Barbara Vinken, and Günter Zöller. Munich: Wilhelm Fink, 2010. 131-46.

• “Coleridge in the Newspapers, Periodicals, and Annuals.” The Oxford Handbook of Samuel Taylor Coleridge. Ed. Frederick Burwick. Oxford: Oxford University Press, 2009. 165-84.

• “Trophies, Triumphs, Tourism, and the Topography of History: Byron’s Childe Harold’s Pilgrimage and Its Contexts.” Colloquium Helveticum 39 (2008): 25-42.

• “Musing in Public: The Sociability and Solitude of the Romantic Improvvisatore.” Einsamkeit und Geselligkeit um 1800. Ed. Susanne Schmid. Heidelberg: Universitätsverlag Winter, 2008. 17-28.

• “The Improvisatrice’s Fame: Landon, Staël, and Female Performers in Italy.” British and European Romanticisms. Ed. Christoph Bode and Sebastian Domsch. Trier: Wissenschaftlicher Verlag Trier, 2007. 227-37. Reprinted in: Letitia Landon: Nineteenth Century Literary Criticism. Bristol: Gale/Cengage (forthcoming 2013).

• “Improvisational Aesthetics: Byron, the Shelley Circle, and Tommaso Sgricci.” Romanticism on the Net No. 43 (August 2006).

• “Blake and Language.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. Houndmills: Palgrave Macmillan, 2006. 63-84.