Paweł Gancarczyk - Publications#

A. Monographs

1) La musique et la révolution de l’imprimerie. Les mutations de la culture musicale au XVIe siècle, trad. Wojciech Bońkowski (Lyon: Symétrie 2015), 242 pp.

2) Muzyka wobec rewolucji druku. Przemiany w kulturze muzycznej XVI wieku [Music and the printing revolution. Transformations in the musical culture of the sixteenth century] (Toruń: Wydawnictwo Naukowe UMK, 2011), 320 pp.

3) Musica scripto. Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Łacińskiej [Musica scripto. Mensural codices in Eastern Latin Europe in the second half of the fifteenth century] (Warsaw: Instytut Sztuki PAN, 2001), 296 pp.

B. Essays and articles in peer-reviewed journals and essay volumes (selection)

1) ‘Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions’, in: Sounding the Past: Music as History and Memory, ed. Karl Kügle (Turnhout: Brepols, 2020), 141–55 (in press).

2) ‘Traces of Polyphonic Music in Late-medieval Republic of Dubrovnik’, in: Glazba, migracije i europska kultura. Svecani zbornik za Vjeru Katalinić / Music, Migration and European Culture. Essays in Honour of Vjera Katalinić, eds. Ivano Cavallini, Jolanta Guzy-Pasiak and Harry White (Zagreb: Croatian Musicological Society, 2020), 35–52.

3) (with Lenka Hlávková) ‘The Lviv Fragments and Missa L'homme armé sexti toni. Questions on the Early Josquin Reception in Central Europe’, Tijdschrift van de Koninklijke Vereniging voor Nedeerlandse Muziekgeschiedenis 67/1-2 (2017), 139–61.

4) ‘Changing Identities of Songs by Petrus Wilhelmi de Grudencz’, Hudební věda 54/1 (2017), 5–24.

5) ‘Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music’, De musica disserenda 11/1-2 (2015), 23–40.

6) ‘The Former “Glogauer Liederbuch” and Early Partbooks: On the Origin and Function of the New Type of Musical Codex’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 64/1-2 (2014), 30–46.

7) ‘Abbot Martin Rinkenberg and the Origins of “Glogauer Liederbuch”’, Early Music 37/1 (2009), 27–36.