Annette Hill - Selected Publications#

Hill, Annette; Askanius, T. & Kondo, K. (2019): Live Reality Television: Care structures within the production and reception of talent shows. In : Critical Studies in Television. 14, 1, p. 7-21

Hill, Annette (2018): Media Experiences: Producers and Audiences of Drama and Reality Television. London: Routledge (translated into Italian 2019)

Hill, Annette (2018): Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge. In: European Television Crime Drama and Beyond. Toft Hansen, K., Peacock, S. & Turnbull, S. (eds.). Palgrave Macmillan, p. 269-284.

Hill, Annette (2018): Media Audiences and Reception Studies. In: Reception Studies and Audiovisual Translation. Di Giovanni, E. & Gambier, Y. (eds.). Amsterdam: John Benjamins Publishing Company, p. 3-20

Hill, Annette (2017): ‘Reality TV Engagement: reality TV producers and audiences for talent format Got to Dance’. In: Media Industries, Volume 4, issue 1, p. 1-17 (most downloaded article for the journal 2017)

Hill, Annette (2017): Reality TV Crime Programs. In: Oxford Research Encylopedia of Criminology: Crime, Media and Popular Culture. Pontell, H. (ed.). Oxford: Oxford University Press.

Hill, Annette & Turnbull, S. (2017): Nordic Noir In: Oxford Research Encyclopedia of Criminology and Criminal Justice. Pontell, H. N. (ed.). Oxford: Oxford University, p. 1-21

Hill, Annette (2016): Push-Pull Dynamics: Producers and Audiences for Television Drama The Bridge’. In: special issue of Television and New Media, guest editor with Vicki Mayer. (online first 2016, Manuscript ID TVNM-16-0003.R1). Impact factor 1.135; 616 downloads (Jan 2019)

Hill, Annette (2015): Reality TV: Key Ideas. London: Routledge.

Hill, Annette (2011): Paranormal Media: Audiences, Spirits and Magic in Popular Culture. London: Routledge.