Jonathan Cross - Selected Publications#

Igor Stravinsky. London: Reaktion Press, 2015

‘Stravinsky in exile’, in Tamara Levitz (ed.), Igor Stravinsky and his World (Princeton: Princeton University Press, 2013), 1–17

'Rewriting The Rite: creative responses to Le Sacre du printemps’, in Hermann Danuser and Heidy Zimmerman (eds), Avatar of Modernity: The Rite of Spring Reconsidered (London: Boosey & Hawkes, 2013), 198–218

‘Stravinsky’s Petrushka: modernising the past, Russianising the future; or, how Stravinsky learned to be an exile’, in Pauline Fairclough (ed.), Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds (Farnham: Ashgate, 2012), 23–35

Harrison Birtwistle: The Mask of Orpheus. Farnham & Burlington, VT: Ashgate, 2009

‘Paradise lost: neoclassicism and the melancholia of modernism’, in M. Milin and D.Despic (eds), Rethinking Musical Modernism (Belgrade: Serbian Academy of Sciences and Arts, 2008), 55–64

‘Le mythe, le modernisme, la mémoire: les relations entre musique, texte et drame dans The Mask of Orpheus de Harrison Birtwistle’, in G. Ferrari (ed.), La parole sur scène : voix, texte, signifié (Paris: L’Harmattan, 2008), 11–24

(ed.), The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003

Harrison Birtwistle: Man, Mind, Music. London: Faber & Faber, 2000

‘Modernism and the challenges to music theory’, in W. Gruhn & H. Möller (eds), Wahrnehmung und Begriff (Kassel: Gustav Bosse Verlag, 2000), 35–56

The Stravinsky Legacy. Cambridge: Cambridge University Press, 1998